Showing posts with label urban. Show all posts
Showing posts with label urban. Show all posts

Wednesday, February 10, 2010

The Reverse Graffiti Project

Stencils by Moose in San Francisco's Broadway tunnel.


I have always been a fan of street art. The creativity artists display, adapting to different urban environments, never ceases to amaze me. However, in recent years, I have become much more conscious of the environmental impact people have on the earth, and my love for street art developed into this kind of love-hate relationship—love the art or hate the toxic chemicals?

Lucky for me, the street artist Moose pioneered the Reverse Graffiti Project, a new street art concept based on cleaning.

Details of the wall at the Broadway tunnel.


The idea is this—instead of using paint to deface existing structures, street artists wash away years of dirt and grime on a surface to create their installations. High pressure water hoses, sponges, stencils and biodegradable soap are used. The intent is primarily environmental: using drawings, artists show glimpses of what preexisting structures look like under their black sooty veils, and what the public could be experiencing instead. These clean spots starkly contrast the darker dirty walls and remind us how much the pollution from cars, factories, and people affect our neighborhoods.


Doug Pray documents the process by which Moose creates art in the San Francisco Broadway tunnel.


The project was powered by Green Works cleaners.


Alexandre Orion used only water and a cloth to etch skulls in a grime-encrusted tunnel to remind commuters how harmful the exhaust from their vehicles are.

Artist Alexandre Orion works on an underpass in São Paolo, Brazil.




When the police showed up, they could not charge Orion with any crime since he was not defacing any structure. As Inhabitat aptly puts it: When is cleaning the sidewalks a crime? When you’re doing it to create art. Obviously. So naturally, the fire crew hosed down the entire section of the tunnel where Orion drew. When he later simply picked up on the other side of the tunnel, the officials were so enraged they decided to not only clean the whole tunnel, but every other tunnel in São Paolo.

Reverse graffiti encompasses all types of graffiti that does not use harmful chemicals the way traditional graffiti does, and often embodies an eco-friendly message. Other examples include Edina Tokodi's green graffiti made by moss and Scott Wade's dirty car art.

Saturday, February 14, 2009

Playground Love from Above

Playground Love by ABOVE


Capturing innocence, ambition, and affection. How far high you go for your love?

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Wednesday, January 28, 2009

Scott Wade's Dirty Car Art

Poker Dogs

Sick of seeing the boring yet ubiquitous "wash me" on the windows of dirty cars? Scott Wade will change how you perceive—and use—that fine layer of dust.

Cars get dirty. It's inevitable—especially if you have to drive a mile and a half on gravel and clay to get to your house each day, as Scott does. Realizing it was impractical to keep washing his car, he turned the fine dust on the back of his windshield into art. With a strong drawing background, Scott soon began making impressively detailed images on his new-found canvas. He uses paint brushes and fingers to carefully etch away the dust that accumulates each time he drives home.

Escape to... The Mountains!

Escape to... The Desert!



Mona Lisa - Starry Night: Peak

To draw a new picture on the back of his car, he has to clear the existing canvas. Sometimes, the occasional rain helps move the process along...

Mona Lisa - Starry Night: 1st rain

Mona Lisa - Starry Night: washed out

I don't know why, but I've always had this fascination with ephemeral art. Maybe it's knowing that one has to be there to experience it; maybe it reminds me that nothing truly lasts forever. I love seeing art that is made from the elements and art that, in turn, has to deal with the elements. A number of factors—wind, rain, animals, and people—may disturb the final piece, but artists like Scott know how to integrate these disturbances into the artistic process.

Albert with Paw Print

My friend at Manga Start recently wrote about how fulfilling it can be to draw with everyday items from our own desks. Some of the best art we make are done using tools in our immediate surroundings. They yield unplanned and candid results, and show off our creative process. You don't need an expensive sketching set or gold leaf leather-bound sketchbook to draw.

You also shouldn't feel like art has to be confined to sheets of paper or done in a studio. Someone truly innovative can recognize and seize opportunities in his or her environment to generate something creative.

Take a quick look around you. Is there anything that can be used to draw or make something? What can you do with the various objects surrounding you? Share your results!

Trapped!

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Wednesday, December 24, 2008

Joshua Callaghan's Utility Boxes



One of the reasons why urban art is a great inspiration for me is because a good artist will effectively use the urban environment to express him or herself.

Joshua Callaghan responded to an advert asking for the unsightly utility boxes around city streets to be painted. He was commissioned and created an urban camouflage coating using either photographs surrounding the utility boxes or an idealized image of what he thinks could have displaced them.





By using photographs of what is exactly behind these boxes, Joshua creates an illusion of an uninterrupted view, blending the boxes directly into the background. His work here is inspired by the photorealistic trompe-l'œil style, using perspective illusions to trick the unsuspecting passer-by.

Although a lot of urban art is created to criticize or to make political statements, I think this project is a great example how urban art can elicit a non-negative and almost comical response from the public. Looking at these photographs, I can see how easily these boxes blend into their environment, especially if it's located at a busy location. It would be interesting to see people's reactions to first recognizing that something is not quite what it seems, and then actually getting up close to identify what the beautiful photographs were covering up.

Joshua's work can be seen on the streets of Los Angeles or at his website.

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